Sports and Events
The AG-DVX100B debuts as the industry’s first DV camera-recorder to allow camera-to-camera time-code synchro and user-suitable file transfer. This allows the AG-DVX100B to be used for simultaneous multi-camera recording techniques often used in video production. Additionally, the new model offers remote focus and iris control for easier operation when mounted on a jib arm or tripod.In addition to superior image quality, high sensitivity, 24P/30P Cinema mode and manual operation, it has the specifications needed for full-fledged professional video production.
16:9 Aspect Display Mode on EVF and LCD for distortion free Squeeze Mode or Anamorphic Display
Higher resolution 235,000 pixel .44” BW/color switchable electronic viewfinder (EVF) with superimposed audio metering
Higher resolution 210,000 pixel flip-out 270 degree 3.5” LCD display with superimposed audio metering
Remote focus and iris control with optional VariZoom controller(s) and others
LCD panel has a bit of a break-away beyond the 90 degree point
Single Button Display Character Off for LCD and EVF
Scene files transfer over FireWire
Time code transfers over Firewire
1/3” 3-CCD Mini-DV camcorder with exclusive CineSwitchTM technology
Rugged magnesium alloy diecast chassis
Outstanding sensitivity of F11 @ 2000 lux
Supports 480i/60 (NTSC), Cinema-style 480p/24fps, and 480p/30fps image capture
Precision wide-angle Leica Dicomar lens with Servo/Manual Zoom (with stops & barrel markings)
Auto/manual focus F1.6 with 72mm filter size and advanced optical image stabilization
Conventional 4:3 aspect ratio and 16:9 letterbox image capture modes
16 x 9 anamorphic - letterbox and digital squeeze
Conventional video gamma and CineGammaTM operational modes
Seven gamma settings - L, M, H, CINE-LIKE, + CINE-LIKE D, CINE-LIKE V, Black Press
Four knee settings - Auto, Low, Mid, High
Four color matrix settings - Norm, Enriched, Fluor, Cine
Three vertical detail level settings in progressive mode - Thin, Mid, Thick
Up to +12dB gain in progressive mode
2-channel XLR audio inputs with phantom power supply (+48V) and manual audio levels
S-Video, Video & Stereo Audio IN and OUT
Standard IEEE 1394 FireWire interface (in/out) for transfer of digital video/audio to NLE platforms
One Shot recording capability
Unique pre-cleaning heads and auto head cleaning to maximize reliability
Well balanced and highly portable: 4.4 pounds in full operating condition
Longer-lasting 5400mA standard battery
Slow Shutter - 24P - 1/6, 1/12, 30P - 1/4, 1/8, 1/15, 60i - 1/4, 1/8, 1/15, 1/30
Edge enhancement for easy focusing - Peaking (switchable on/off) in LCD and EVF
Auto focus assist in progressive mode
Built-in SMPTE color bars in interlace and progressive modes
Three user-programmable buttons are assignable to any one of 11 functions
Color drop-down display mode for menu choices
End Search Camera function - no longer necessary to go to VCR mode to search up to the end of the recording
Menu change on Tape Protect to read Power Save
MOD (Minimum Object Distance) - 0.6 meter
Two zebra settings - 80-105%
CineSwitchTM Scene File Dial is more protected from unintentional changes
Slower middle zoom speed
Color level, brightness and contrast adjustment - separate LCD and EVF settings
More sensitive on-camera microphone
Audio off tape or live E-E for delay free (echo free) monitoring (menu choice)
Speaker position has moved to top of camera (was behind LCD)
Heavy-duty tripod connection
Black Sapphire color, Barrel Paint is textured to reduce fingerprints
ROHS compliant manufacturing assuring environmentally correct parts and methodology
3CCD (1/3-inch interline transfer type, and progressive modes supported)
Effective resolution of 1.1 million active pixels with a spatial offset
DC 7.2/7.9 V
6.8 W (when viewfinder is used)
7.2 W (when LCD monitor is used) 9.8 W (max.)
5.5” (W) x 6.3125 ”(H) x 14.375”(D)
4.19 lb (1.9 kg) with battery and cassette
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